The shoot with Bunny unfolded over four unhurried hours in my old home, a space I know well and return to often. It’s not an easy place to work, tight rooms, low ceilings, walls that drink in the light, but when the sun chooses to collaborate, the house comes alive. That day, it did more than show up. It poured, stretched, traced edges, and transformed limitation into atmosphere.

Bunny is a model I’d held in quiet anticipation for some time, and finally working together felt both overdue and perfectly timed. From the first frame, the shoot became something instinctual. Nude, expressive, fearless. She moved without pause, arching, extending, folding into herself and out again, each gesture flowing into the next. There was no stillness, only rhythm. She doesn’t pose so much as be, a constant act of creation.

The images that emerged are raw and considered, powerful without force, intimate without explanation. They ask questions rather than answer them. This kind of work, where trust, light, and movement align, is why I keep coming back to the camera. I can’t wait to step into this space again and create like this once more.